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A prematurely Jungian archeologist at Glastonbury Abbey

Frederick Bligh Bond

Frederick Bligh Bond

A team led by Roberta Gilchrist, a professor of archeology at Reading University and a trustee of the Glastonbury Abbey, have completed a multi-year project to collect, reinterpret and publish records of 36 seasons of excavations from 1904 through 1979 (online and with a 500-page book). Glastonbury’s press release quotes Professor Gilchrist,

This project has rewritten the history of Glastonbury Abbey. Although several major excavations were undertaken during the 20th century, dig directors were led heavily [by] Glastonbury’s legends and the occult. Using 21st century technology we took a step back from the myth and legend to expose the true history of the Abbey.

Colorful legends of Apostles and Arthur have likely wrong-footed many scholars. As Professor Gilchrist put it, “Research revealed that some of the best known archaeological ‘facts’ about Glastonbury are themselves myths perpetuated by the Abbey’s excavators.” But one dig director stands out as having been led by the “occult.”

Frederick Bligh Bond (1864-1945) was an architect with extensive technical knowledge about old church buildings. He served at Glastonbury from 1908, when the Church of England bought the property, until 1921. His productive digs satisfied his superiors. Then in 1918, Bond published The Gate of Remembrance (here) and its sequel in 1919, Hill of Vision. Bond explained candidly how he had so efficiently and effectively rescued long-lost buildings from oblivion.

His career fell apart.

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